Библијата

 

Psalms 121

Студија

   

1 A Song of Ascents. I will lift up mine eyes unto the mountains: From whence shall my help come?

2 My help [cometh] from Jehovah, Who made heaven and earth.

3 He will not suffer thy foot to be moved: He that keepeth thee will not slumber.

4 Behold, he that keepeth Israel Will neither slumber nor sleep.

5 Jehovah is thy keeper: Jehovah is thy shade upon thy right hand.

6 The sun shall not smite thee by day, Nor the moon by night.

7 Jehovah will keep thee from all evil; He will keep thy soul.

8 Jehovah will keep thy going out and thy coming in From this time forth and for evermore.

   

Коментар

 

Exploring the Meaning of Psalms 121

Од страна на Julian Duckworth

Psalm 121 opens with this much-loved line, 'I will lift up my eyes to the hills, from whence comes my help.' The whole psalm assures us of the Lord's continual help; He helps, holds us safe, keeps us, shades us, and preserves us.

Natural images and sensations are used to describe spiritual ones: our eyes and feet, sleep, shade, hills, sun, and moon. They remind us of the correspondences between the natural and spiritual planes of life, helping to express these higher ideas in familiar words.

Spiritually, our eyes represent our understanding. Hills are high places; we look up to them, and we can see long distances from their summits. When we lift up our eyes to the hills, we're consciously trying to elevate our minds to new levels of understanding. Note that here, we're not told to look up to majestic mountains, since they can sometimes be too far, too remote, from our daily life. We just need to look up to nearby hills, to raise our minds above our normal ways of thinking. In the Bible, hills represent good that comes from charity. That kind of good -- a love towards our neighbours - also turns us toward the Lord, who then can more readily deepen and infill that neighbourliness. (Apocalypse Explained 374[5])

Our feet are in contact with the ground, and they hold us up. They represent our natural life. The 'foot not to be moved' is our life's intention, to be standing firm with the Lord's support. (Heaven and Hell 96, 97)

To say that the Lord never sleeps is to state the obvious, as Divine influx must be perpetual to maintain all things. This an important reminder for us, though, because sometimes we feel that the Lord is not with us. However, the Lord is, in fact, always with us and is actually closer to us at such times. (See True Christian Religion 774)

Next, we see that the Lord's presence is active. He is our keeper and our shade. He continually knows what our state is, and provides and protects accordingly. He even withholds spiritual things from us at times, so that we don't spoil them. (See Arcana Caelestia 59[2], and 959 at the end.)

The word 'shade' gives us a good feeling that the Lord is over us, keeping us safe. It can also mean that we occasionally require shade — that is, less sight and clearness — for our own sake. (See Apocalypse Explained 401[34])

The sun and moon often represent the Lord's love and His truth. In this psalm, though, they are used in the opposite sense. They stand for our evil love of self and the false ideas that reinforce it - and those will harm us - unless we accept the Lord's power to constrain them.

At the end of this psalm the word 'preserve' is used three times to express holiness. The repetition is important. It represents our need for preservation in every conceivable way — from now to eternity - throughout our "going out and coming in" - the changing states in our lives. (See Arcana Caelestia 1050)

Од делата на Сведенборг

 

Arcana Coelestia #4523

Проучи го овој пасус

  
/ 10837  
  

4523. THE CORRESPONDENCE OF THE EYE AND OF LIGHT WITH THE GRAND MAN - continued

Everyone who has any knowledge about air and sound may know that the formation of the ear is determined wholly and completely by the nature of the modifications of these, so that the actual physical and material ear corresponds to such modifications. And everyone who has acquired any knowledge concerning the atmosphere and light knows that the actual physical and material eye is formed in such a way that it corresponds to the modifications of these. So perfectly do the ear and the eye correspond to them that any arcanum hidden within the natural existence of air and sound is inscribed on the organism of the ear, and any arcanum hidden within the existence of the atmosphere and light is inscribed on the organism of the eye.

[2] Consequently anyone who has studied anatomy and at the same time physics may know by investigation that other physical and material organs - not merely the sensory but also the motor ones, as well as the internal organs - correspond to things that are part of the natural world. Thus the whole body is an organ composed of the deepest arcana belonging to everything which exists within the natural world, and its formation is determined by the hidden forces by which all things act and the wonderful manner in which they flow. This was why the ancients called the human being a little world or microcosm.

[3] One who knows these things may also know that whatever exists in the world and in the natural system does not come into being of itself but from something prior to itself; and that this something prior cannot come into being of itself but from something even more prior; and so on back to Him who is the First, from whom in their ordered sequence things come into being. And because they come into being from Him they are also kept in being from Him, for being kept in being is constant coming into being. Consequently all things without exception, right down to the last that belong to the natural order, have not only come into being from the First but are also being kept in being from the First. For if every single thing were not constantly coming into being, and if this continuous connection extending from the First and so linked to the First did not exist, it would instantly fall to pieces and perish.

  
/ 10837  
  

Thanks to the Swedenborg Society for the permission to use this translation.