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Memorable Occurrences in Swedenborg's Writings

This list of Memorable Occurrences in Swedenborg's Writings was originally compiled by W. C. Henderson in 1960 but has since been updated.

Van Swedenborgs Werken

 

Conjugial Love #42

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42. To this I will append two narrative accounts from the spiritual world. Here is the first:

One morning I looked up into the sky, and I saw above me expanse upon expanse. And as I looked, the first or nearest expanse was opened, and shortly the second, which was above it, and finally the third, which was the highest of all. By the light coming from them I perceived that on the first expanse were angels of the first or lowest heaven, on the second expanse were angels of the second or middle heaven, and on the third expanse were angels of the third or highest heaven.

I wondered at first what was happening and why. But shortly I heard a voice from heaven like the sound of a trumpet, saying, "We have perceived, and now see, that you are meditating on conjugial love. Moreover, we know that so far no one on earth knows what true conjugial love is in its origin or in its essence, and yet it is important for them to know. Therefore it has pleased the Lord to open the heavens to you, that the inner faculties of your mind may receive an influx of illuminating light and thus perception.

"Among us in heaven, especially in the third heaven, our heavenly delights come principally from conjugial love. Consequently, by permission granted us, we will send a married couple down to you, in order that you may see."

[2] And suddenly, then, a carriage appeared, coming down from the highest or third heaven, in which I saw a single angel. But as it drew near, I saw that it held two.

The carriage shone before my eyes in the distance like a diamond, and harnessed to it were young horses as white as snow. And the couple sitting in the carriage held in their hands a pair of turtledoves.

And the couple called out to me, "You want us to come closer. But beware, then, of the flashing light coming from our heaven, the heaven we descended from. It is a blazing light, and you must take care that it does not penetrate interiorly. By its influx, indeed, the higher ideas of your understanding are enlightened, ideas that, in themselves, are heavenly. But these same ideas are inexpressible in the world in which you live. Receive the things you are about to hear, therefore, in rational terms and so explain them to the understanding."

I replied, "I will take care. Come closer."

So they came, and behold, it was a husband and his wife. And they said, "We are married. We have lived a blessed life in heaven from the earliest time, which you call the golden age, remaining forever in the same flower of youth that you see us in today."

[3] I looked at the two of them closely, because I perceived that they represented conjugial love in their life and in their adornment - in their life as shown in their faces, and in their adornment as shown in the garments they wore. For all angels are affections of love in human form. The essential, dominant affection shines out from their faces, and they are given clothing on the basis of their affection and in accordance with it. Consequently, in heaven they say that everyone is clothed in his own affection.

The husband appeared to be between adolescence and early manhood in age. From his eyes flashed a light sparkling with the wisdom of love. His face seemed to be inmostly radiant with this light, and because of the radiance from within, outwardly his skin virtually shone. As a result, his whole facial appearance was singularly one of dazzling good looks.

He was dressed in a full-length robe, and under the robe he wore a blue-colored garment, which was tied about the waist with a golden girdle bearing three precious stones, two of them sapphires, one on each side, and a garnet in the middle. His stockings were of shining linen, into which had been woven threads of silver; and his shoes were made entirely of silk.

This was the representational form that conjugial love took in the case of the husband.

[4] In the case of the wife, however, it took the following form. I saw her face, and did not see it. I saw it as the very essence of beauty, and did not see it because the beauty was beyond expression. For there was in her face the bright glow of a blazing light, like the light possessed by angels in the third heaven, and this light dimmed my vision, so that I was simply stupefied by it.

Noticing this, the wife spoke to me, saying, "What do you see?"

I answered, "I see only conjugial love and a picture of it. But I see and do not see."

At this she turned at an angle away from her husband, and then I could look more intently. Her eyes flashed with the light of her heaven, which is blazing, as I said, and so takes its quality from the love of wisdom. For wives in the third heaven love their husbands on account of their husbands' wisdom and in response to it, and the husbands love their wives on account of and in response to that love directed towards them, and so they are united.

The wife had her beauty as a result of this, such beauty that no artist could reproduce it or portray it in its true form, for a flashing of light like that is not possible in the painter's colors, nor is such loveliness expressible in his art.

Her hair was attractively arranged in a style to match her beauty, with jewels in the form of flowers inserted into it. She had a necklace of garnets, from which hung a rosette of peridots. And she had bracelets of pearls. She was dressed in a scarlet gown, and under it a purple bodice fastened in front with rubies. But what surprised me, the colors kept changing depending on which way she was facing in relation to her husband, and their sparkle also kept changing accordingly, being now more, now less - more when they faced each other, and less when she faced away at an angle.

[5] When I had seen these things, they spoke with me again. And when the husband spoke, he spoke as though he spoke at the same time on behalf of his wife, and when the wife spoke, she spoke as though she spoke at the same time on behalf of her husband. For such was the union of their minds, from which comes their speech. It was then that I heard as well the way conjugial love sounds, how it was inwardly together with, and also the result of, the delights of a state of peace and innocence.

Finally they said, "They are calling us back. We have to go."

They then appeared to be again riding in a carriage, as before, and they were borne off along a road stretching out between flower gardens, from whose beds rose olive trees and trees full of oranges. And as they drew near their heaven, young women came to meet them and welcome them and take them in.

  
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Many thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.

Van Swedenborgs Werken

 

Conjugial Love #76

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76. The second account:

The next day the same angel came to me and said, "Would you like me to take and accompany you to the peoples who lived in the silver age or period, so that we may hear from them about the marriages of their time?" He also said that these people, too, could not be approached except under the Lord's guidance.

I was in the spirit as before, and I went with my guide. And we came first to a hill in the border region between the east and the south. Then, as we stood upon its slope, he showed me a far extended stretch of land, and we saw in the distance an elevation like that of a mountain. Between it and the hill on which we stood was a valley, and beyond that a level area, and after that a gently rising incline.

We descended from the hill to cross the valley, and here and there on each side we saw blocks of wood and stone carved into the shapes of people and various kinds of animals, birds and fish. So I asked the angel, "What are these? Are they idols?"

And he answered, "Not at all. They are figures representative of various moral virtues and spiritual truths. Among the peoples of this age there was a knowledge of correspondences. Since every person, animal, bird and fish corresponds to some quality, therefore each carving represents some aspect of a virtue or truth, and a group of them taken together represents the whole virtue or truth in a general, extended form. They are what in Egypt were called hieroglyphics."

[2] We continued through the valley, and as we entered the level area, suddenly we saw horses and chariots - horses with variously decorated harnesses and halters, and chariots variously shaped, some carved out like eagles, some like whales, and some like stags with horns, or like unicorns. At the end we also saw some wagons, and stables around at the sides. But when we drew near, both the horses and the chariots disappeared, and instead of them we saw people in couples and pairs, walking, talking and reasoning together.

The angel then said to me, "The various horses, chariots and stables - as they seem at a distance - are appearances expressive of the rational intelligence of the people of this age. For by correspondence a horse symbolizes an understanding of truth; a chariot, its accompanying doctrine; and stables, sources of instruction. You know that in this world, all things take on appearances according to correspondences."

[3] We went on by these things, however, and we ascended by a long incline, until at last we saw a city, which we entered. As we wandered through it, from the streets and public squares we observed its houses. They were all palaces, built out of marble. In front they had steps of alabaster, with columns of jasper on each side of the steps. We also saw temples made of precious stone the color of sapphire and lapis lazuli.

The angel said to me, "They have houses made of different kinds of stone because stones symbolize natural truths, and precious stones symbolize spiritual truths. The people who lived in the silver age all had their intelligence from spiritual truths and so from natural truths. Silver also has a similar symbolism."

[4] As we surveyed the city, we saw married couples here and there in pairs; and since they were husbands and wives, we waited to see if we would be invited in somewhere. Even as we had this in mind, moreover, as we were passing by, two of them called us back into their house. So we went up the steps and went in. Then, speaking with them on my behalf, the angel explained the reason for our coming to that heaven, saying that we had come to be instructed concerning marriages among ancient peoples - "you here being some of them," he said.

They then replied, "We come from peoples in Asia, and the focus of our age was the pursuit of truths, by which we acquired intelligence. This pursuit was the focus of our soul and mind. But the focus of our physical senses was on representations of truths in forms, and a study of correspondences combined the sensory interests of our bodies with the perceptions of our minds, gaining for us intelligence."

[5] Hearing this, the angel asked them to tell us something about marriages among them.

So the husband said, "There is a correspondence between the spiritual marriage, which is a marriage of truth with good, and natural marriage, which is the marriage of a man with one wife. And because we have studied correspondences, we see that the church with its truths and goods can by no means exist except in people who live with one wife in a state of truly conjugial love. For a marriage of good and truth in a person is the church in him.

"Consequently, we who are here all say that a husband is a form of truth, and his wife a form of good, and that good cannot love any other truth than its own truth, nor can truth love any other good in return than its own good. If it were to love another, the inner marriage that forms the church would die, and the marriage would become merely external - the kind of marriage that idolatry corresponds to, not the church. Therefore we call marriage with one wife a sacred union, but if it were contracted with more than one among us, we would call it a sacrilege."

[6] Saying this, he showed us into an anteroom outside the bedroom, which had a number of works of art on the walls and little images apparently cast out of silver. I then asked what they were.

They said, "They are pictures and forms representing the many qualities, attributes and delights which have to do with conjugial love. These ones here represent the unity of souls; these other ones, the conjunction of minds; the ones there, the harmony of hearts; those over there, the delights arising as a result."

While we were looking, we saw on the wall a kind of rainbow, consisting of three colors, purple, blue, and bright white. And we saw how the purple color passed through the blue and tinted the white with a purplish blue hue, and that the latter color flowed back through the blue into the purple and raised it into a kind of flaming radiance.

[7] Then the husband said to me, "Do you understand it?"

And I said, "Instruct me."

So he said, "The purple by its correspondence symbolizes the conjugial love of the wife; the bright white, the intelligence of the husband; the blue, the beginning of conjugial love in the husband's perception from the wife; and the purplish blue, which tinted the white, conjugial love then in the husband. This latter color's flowing back through the blue into the purple and raising it into a kind of flaming radiance symbolizes the conjugial love of the husband flowing back to the wife. Things like these are represented on these walls whenever we reflect on conjugial love, its mutual, progressive and simultaneous union, and then look closely at the rainbows exhibited there."

At this I said, "Things like this today are more than mysteries, for they are of a representational type, representing the secrets of the conjugial love of one man with one wife."

He replied, "So they are, but to us here they are not secrets, and therefore not mysteries."

[8] When he said this, a chariot appeared in the distance drawn by white ponies, and seeing it, the angel said, "That chariot is a signal for us to depart."

Then as we were going down the steps, our host gave us a cluster of white grapes with leaves from the vine still attached, and suddenly the leaves turned silver. And we took them away with us as a memento that we had spoken with people of the silver age.

  
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Many thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.

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